You might be able to tweak in camera settings to get close. However two questions why leave out film emulators that do a good job, such as Alien Skin Exposure 2 or indeed why leave out Photoshop? Secondly why Kodachrome of all films?Īnyhow, I guess what you are wanting is for a way without using any software except something written by the photographer that will emulate Kodachrome? Perhaps you are looking for a Photoshop action? OK, I'm a Lumix L1 user and have the pancake. I guess, i have to post this to the Canon forum too - G11 shines when it does - Kodachrome 64 from raw processing that isĪny comments, insight, experience will be much appreciated I have one other camera - the much spoken about Canon G11, which i get spectacular results at times, but anytime i pick up the L1 with the 14-50 or even with the Zuiko Pancake, i feel like selling the G11Īnyway, i might post this to the Leica forum, because of similarities between the L* , particularly - Kodachrome 64 - with specific processing ? Please leave out anything DXO, Color Efex Pro, Major CS4 / PS PP, and others if you could - i'd like to hear about and debate openly a 'batch processing of negatives', not frame by frame 'tricks with layers' or non-common color curves Is there anyone with L1 and/or LC1, like me, who believes that digital can deliver film M9, 5D, D3 etc - produces, and attempted to fix this in PP ? I had some thumbs up privately about it, but i may be simply fooling myself into believing 'im getting there finally', and that is why this tread :Īre there other souls out there who saw modern digital to be too digital and too clean and too plastic compared to what anything I've been thinking about this for a long while and even spent hours and hours developing and refining a particular preset aimed at best replicating the Kodachrome 64 positive.
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